I’m going to start this review with a disclaimer: Results May Vary. This album will not be for everybody, a fact probably made obvious when you take into account the fact the band used balloons, dripping water, foil and small metal figures as instruments. This isn’t as pretentious as it sounds, or as encapsulating a set of restrictions as Hecate and Venetian Snare’s Nymphomatriarch – an album created solely from sounds generated by the two of them bumping uglies and as the booklet charmingly puts “inserting microphones.” Heading backwards through the news on their website (www.liarsliarsliars.com) to March and earlier …
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